Friday, June 19, 2026

Mayor Mamdani Announces New and Upgraded Bus Lanes and Widened Bike Lanes on Manhattan’s Sixth Avenue

 

New and upgraded bus lanes would deliver faster, more reliable service for 51,000+ daily bus riders — in a corridor where bus speeds are as low as 3.5 mph

 

Widened protected bike lanes would create a safer riding experience on one of Manhattan’s highest-crash corridors


 

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Mayor Zohran Kwame Mamdani and New York City Department of Transportation (NYC DOT) Commissioner Mike Flynn today unveiled a proposal for bus and bike lane upgrades along Sixth Avenue in Manhattan, delivering faster, more reliable service for more than 51,000 daily bus riders on four local and 27 express MTA routes — as well as safer biking for cyclists along the corridor.

The proposal adds a new offset bus lane from Watts Street to 34th Street where there is currently no bus lane at all and upgrades existing curbside lanes with offset bus lanes from 34th Street to 58th Street — in some places creating double bus lanes.

For cycling infrastructure, the project will widen the avenue’s existing protected bike lane north of 35th Street up to 59th Street, creating a double-wide bike lane for most of the avenue from Lispenard Street to 59th Street.

“Every day, 51,000 New Yorkers rely on buses along this corridor to get to work, school and home to their families. And every day, too many of them are stuck in traffic that slows them down and takes their valuable time,” said Mayor Mamdani. “By installing new and upgraded offset bus lanes and expanding bike infrastructure on Sixth Avenue, we’re helping New Yorkers move faster, move safer and experience the reliable public transit they deserve.”

“The Mamdani administration has made clear that bus riders deserve a fast, dignified commute, but right now it can be as fast to walk along Sixth Avenue as it is to ride a local bus,” said NYC DOT Commissioner Mike Flynn. “This proposal would bring faster and safer commutes for bus and bike riders commuting in Manhattan from all five boroughs.”

Currently, local bus speeds along the Sixth Avenue corridor are as low as 3.5 mph — about the average walking speed — and express bus speeds are as slow as 4.2 mph during evening peak times. Offset bus lanes help speed up rides by allowing buses to bypass parked vehicles that frequently block curbside bus lanes while also providing improved curbside access for businesses and passenger pick-up and drop-off.

Sixth Avenue is a Vision Zero priority corridor, which means it has among the highest rates of pedestrian deaths and serious injuries in Manhattan. Bus and bike infrastructure upgrades would enhance safety along the corridor by better organizing the flow of traffic. New painted curb extensions, pedestrian islands and turn calming treatments would shorten crossing distances and slow turning vehicles. A similar treatment on 3rd Avenue resulted in bus speed increases of up to 14%, while injuries decreased by 28%.

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An example of a full-block bus stop planned between 45th Street and 46th Street on Sixth Avenue. Credit: NYC DOT.

NYC DOT presented the proposal on Wednesday night to Manhattan’s Community Board 4, with future presentations planned for relevant boards in the borough. The agency will review feedback and finalize a proposal before planning installation.

ICE and FBI Investigation Leads to Charges Against Illegal Alien Who Flew Drone in Restricted FIFA Airspace

 

This illegal alien had already been deported TWICE

The United States Department of Homeland Security (DHS) released the following statement after an investigation by U.S. Immigration and Customs Enforcement (ICE), alongside the Federal Bureau of Investigation (FBI), led to federal charges against an illegal alien who flew a drone in restricted FIFA airspace.

According to the U.S. Attorney’s Office for the Northern District of Georgia, Lorenzo Rojas-Martinez, a criminal illegal alien from Mexico, operated a drone in restricted airspace near Centennial Olympic Park in Atlanta, Georgia on June 12, 2026, during the 2026 FIFA Fan Festival. FBI agents confronted him and requested his identification. Upon confirming he was in the United States illegally, the agents took him into custody. The next day, the FBI turned him over to ICE custody.

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Lorenzo Rojas-Martinez

Rojas-Martinez was charged on June 15 with operating a drone in a temporary flight restricted zone and illegal re-entry. His criminal history includes prior convictions for drug trafficking, stolen property, contributing to the delinquency of a minor, and TWO counts of fraud, and an arrest for driving under the influence of liquor.

“This criminal illegal alien dangerously flew a drone in restricted airspace near a FIFA event in Atlanta, Georgia,” said Acting Assistant Secretary Lauren Bis. “His lengthy criminal history includes drug trafficking, stolen property, contributing to the delinquency of a minor, and driving under the influence. The Trump Administration will not allow illegal aliens to threaten the safety and security of the American people.”

Rojas-Martinez claimed to have first illegally entered the United States in Texas in 1999, and was deported in 2013. He then illegally re-entered the country – a felony – at an unknown date and location before being deported a second time in 2019. He then illegally entered the country for a THIRD time at an unknown date and location.

Justice Department Files Complaint Challenging Philadelphia Mask Ban and Identification Requirements for Federal Officers and Vehicles

 

The Department of Justice filed a lawsuit against the City of Philadelphia, Mayor Cherelle Parker, District Attorney Lawrence Krasner, and City Solicitor Renee Garcia, challenging their unconstitutional attempt to regulate federal law enforcement officers by criminally prohibiting federal officers from wearing masks, requiring individual identifiers, and prohibiting the use of unmarked vehicles in the city.  Phila. Bill No. 260060 (“Prohibition on Law Enforcement Secreting Their Identity”).

Not only is the law an illegal attempt to regulate the federal government, but, as alleged in the complaint, the law threatens the safety of federal officers who have faced an unprecedent wave of harassment, doxing, and even violence. Threatening officers with prosecution for simply protecting their identities and their families also chills the enforcement of federal law and compromises sensitive law enforcement operations.

The Bill explicitly states that “It is the intent of this Council to define the structure of the scope of duty, as well as substantive obligations of . . . federal law enforcement operating within the jurisdiction of the City of Philadelphia.” This led to the Mayor and City Solicitor openly questioning  the Bill’s “significant legal problems, primarily concerning the City's authority to regulate the conduct of federal officers when carrying out their duties under federal law.” Indeed, the City Solicitor observed that the Bill “would send an inaccurate signal to the public that the [City] can legally and practically enforce the Bill.” Nevertheless, the Bill is set to take effect next month, absent the relief sought by the United States.

We regrettably had to sue the birthplace of this great Nation,” said Associate Attorney General Stanley Woodward. “But we will not sit by while Philadelphia flagrantly violates our Constitution, seeking to criminally punish our Nation’s law enforcement heroes merely for doing their job.”

“It is disappointing to see the city where our Constitution was born so egregiously violate its separation of powers by criminalizing the work that Federal officers do to keep Philadelphians safe,” said Assistant Attorney General Brett A. Shumate of the Justice Department’s Civil Division. “Philadelphia may not regulate Federal operations and its unconstitutional attempt to do so must be stopped.”

Acting Attorney General Blanche has instructed  the Department’s Civil Division to identify state and local laws, policies, and practices that facilitate violations of federal laws or impede lawful federal operations. Today’s lawsuit is the latest in a series of lawsuits brought by the Civil Division targeting illegal policies designed to thwart federal law enforcement across the country, including in Virginia, Connecticut, New Jersey, and California.

Governor Hochul Issues Proclamation for Juneteenth Observance

Pan-African Flag to be Flown at New York State Buildings

Sixteen Landmarks To Be Lit Statewide at the Governor’s Direction To Commemorate the End of Slavery in the United States

Governor Kathy Hochul today issued a proclamation in observance of Juneteenth. The Governor also announced that the red, black, and green Pan-African Flag will be raised over the New York State Capitol today, Friday, June 19, and that State landmarks will be illuminated red, black, and green.

“Juneteenth is a powerful reminder of how far our nation has come and how much work still remains,” Governor Hochul said. “This commemoration is both a celebration of freedom, and a reminder of the work ahead to ensure all New Yorkers are treated with dignity, fairness, and respect.”

The following 16 landmarks will illuminate red, black, and green this evening in honor of Juneteenth:

  • One World Trade Center
  • Governor Mario M. Cuomo Bridge
  • Kosciuszko Bridge
  • The H. Carl McCall SUNY Building
  • State Education Building
  • Alfred E. Smith State Office Building
  • Empire State Plaza
  • State Fairgrounds – Main Gate & Expo Center
  • Niagara Falls
  • The “Franklin D. Roosevelt” Mid-Hudson Bridge
  • Grand Central Terminal - Pershing Square Viaduct
  • Albany International Airport Gateway
  • Lake Placid Olympic Center
  • Fairport Lift Bridge over the Erie Canal - will light red only
  • Moynihan Train Hall - will light red only
  • Roosevelt Island Lighthouse

The Pan-African flag will be flown over the New York State Capitol and the following State buildings today:

  • Adam Clayton Powell Jr. State Office Building, Harlem
  • Eleanor Roosevelt State Office Building, Poughkeepsie
  • Hudson Valley Transportation Management Center, Hawthorne
  • Perry B. Duryea State Office Building, Hauppauge
  • Empire State Plaza, Albany
  • Alfred E. Smith State Office Building, Albany
  • Executive Mansion, Albany
  • Harriman State Office Building Campus, Building 18, Albany
  • Binghamton State Office Building
  • Dulles State Office Building, Watertown
  • Henderson-Smith State Office Building, Hornell
  • Homer Folks Facility, Oneonta
  • Senator John H. Hughes State Office Building, Syracuse
  • Utica State Office Building
  • New York State Preparedness Training Center, Oriskany

 

On Juneteenth, Mayor Mamdani Releases Video Honoring the Legacy of Black New Yorkers

 

Video features a conversation with artist Dr. Lorenzo Pace, creator of “Triumph of the Human Spirit”

Today, in recognition of Juneteenth, Mayor Zohran Kwame Mamdani released a short documentary highlighting the life and work of artist Dr. Lorenzo Pace, whose monumental sculpture, “Triumph of the Human Spirit,” stands in Foley Square as a testament to the resilience and enduring legacy of Black New Yorkers. 

  

The short documentary explores Pace’s artistic journey and the history behind the sculpture, which was commissioned to honor those buried at the African Burial Ground. The site contains the remains of more than 400 Africans buried between the 1630s and 1795 and is the oldest and largest known excavated burial ground in North America for both free and enslaved Africans. Its rediscovery in 1991 transformed New York City’s understanding of its own history, bringing renewed attention to the central role enslaved Africans played in building the city.  

  

Following the site’s discovery, a memorial was established to commemorate those buried there. Selected from among hundreds of artists, Dr. Pace was commissioned to create a public work that would honor their memory and tell a story long overlooked. The sculpture was funded through the Department of Cultural Affairs’ Percent for the Art program, which dedicates 1% of eligible City-funded construction budgets to public art.   

  

“Triumph of the Human Spirit” features a Chiwara — a ritual depiction of an antelope in West African culture — standing in a boat, symbolizing the arrival of Africans to New York City and their perseverance through generations of struggle and triumph. Rising nearly five stories and weighing approximately 300 tons, the sculpture stands as a powerful reminder that the story of New York cannot be told without the story of Black New Yorkers.   

  

“On Juneteenth, we honor not only the end of slavery but the generations of Black New Yorkers who fought for freedom, built our city and expanded the process of democracy. Dr. Pace’s work reminds us that our responsibility is to continue the unfinished work of extending freedom and justice to all,” said Mayor Mamdani.  

  

See Full Transcript of Video Below:   

   

Dr. Lorenzo Pace: This lock is the actual lock that enslaved my great grandfather Steve Pace in Alabama. This is the foundation of my history here in this country.   

   

What is art? Art is everything and anything. You can look at art as being a representation of our humanity. are to tell the history of the people. If they didn't tell the history, we wouldn't know what the Egyptians did three, four thousand years ago. You wouldn't know what the Greeks did. You wouldn't know what the Renaissance was like if you didn't have the artist telling the story.   

   

I was taught everything about me was bad. My nose too big, my lips too big, my hair too nappy, my skin too black. And so when the art came into me, I began to emphasize those negative things I was taught. The lips, the nose, and especially the hair, and you see the black, beautiful skin. In 1991, my father passed away in Birmingham. After the funeral, my uncle Julius give the lock to me, brought it back to New York.   

   

The first thing I saw big headlines in the New York Times African burial ground in the heart of New York City: Slavery in New York. Come on. You're kidding me.   

   

That was phenomenal for not only me, but for all New Yorkers. So I immediately went down to the site, I jumped on the fence and began to photograph because I felt that it connected my family with the enslaved population here in New York.   

   

And our mayor at the time, David Dinkens, he said, "Hey, everybody think of the South as slavery. We had it going on right here in New York.”   

   

The federal government is saying, "Hey, you know, this is invaluable land." The African-American community was like, "Hey, no, this is precious ground. We don't want nothing to be built on here." So, they said, "Well, okay, we got to figure out how can we build a monument to honor these enslaved population."    

   

New York City Department of Culture Affairs Present for the Arts put a call out for artists to build something that relates to that. I threw my head in the ring. Over 400 artists had plot. They narrow it down to five and I got the call. I was shocked, you know.   

   

So I went to the Metropolitan Museum. This image Chiwara just kept coming up in a number of different African countries. I said, "Oh, let me check this out." This what I came out with, Chiwara. This is what inspired me to build the monument.   

   

I said, "I can't copy the image per se." So, I said, "Well, why don't you see if you do something abstract that represents something?" This is the model that I brought to the committee to look at. And they was like, "Hey, this is what we want.”   

   

So you see the Chiwara on top of a boat in a pool of water. The boat represents the first Native Americans, the immigrants, and then also the boat represents my history, how we got here.   

   

It's a painful story. And New York City was the second largest slave port in the country. Taboo subject. Something like this is very difficult to talk about. Slavery is a very sensitive topic for us, as well as for white folks. It brings up all kinds of ghosts. It goes to the bedrock of our country.   

   

How could a people who have gone to so many atrocities after being in bondage coming from the slave trade freely survive?   

   

You see this big, five-story 300 ton monument. It must be representing something.   

   

Hopefully that will bring for a little bit of understanding of what we all are part of. Whether you like it or not, it is a part of us as Americans.   

   

Mayor Zohran Kwame Mamdani: And I'd like to begin by acknowledging Dr. Pace, because your sculpture triumph of the human spirit in Foley Square has become a rallying point for so many who dare to imagine a better future.    

   

Dr. Lorenzo Pace: I look back on the experience, it pushed me to go to the highest level I can go.

 

I feel that when the ancestors want to anoint you to do something, they will.   


 



weekly news header

Honoring the Legacy of Juneteenth

Comptroller statement on Juneteenth

NYC Executive Budget Currently Balanced, But Risks Threaten Long-Term Fiscal Stability

Comptroller DiNapoli released a new report analyzing New York City’s $124.7 billion Fiscal Year 2027 Executive Budget, finding that it continued the city’s recent efforts to detail the substantial spending challenges it faces while identifying ways it plans to manage them, but defers critical decisions needed to achieve structural balance into the future.

Learn More

Comptroller DiNapoli's Statement on NYC Reserves

Comptroller statement on NYC reserves

Common Retirement Fund Reaches Agreement with BJ's Wholesale

Comptroller DiNapoli announced the state pension fund has reached an agreement with BJ’s Wholesale, ahead of its shareholders meeting on June 18, 2026, to assess and disclose how deforestation risks could impact its private label products. This will bring the company in line with its corporate peers.

This Week in Pictures

collage of photos from this week's events

M U N I C I P A L   &   S C H O O L   A U D I T S

A L S O  I N  T H E  N E W S

P O S T   O F   T H E   W E E K

Facebook post of Comptroller DiNapoli congratulating the NY Knicks

Mayor Mamdani Announces Telemundo Will Livestream Spanish-Language Coverage of World Cup Matches on 200 LinkNYC Kiosks Across New York City

 

Five marquee World Cup matches to stream on 200 LinkNYC kiosks citywide from June 19 through July 19    

 

Twenty LinkNYC kiosks will feature official City World Cup branding during the tournament    


Mayor Zohran Kwame Mamdani today announced that New Yorkers and visitors will be able to follow five FIFA World Cup matches on 200 LinkNYC kiosks across the five boroughs between June 19 and July 19 as part of a free Summer Friday viewing series celebrating New York City’s role as a host city, as well as the World Cup Final on Sunday, July 19.

 

In partnership with Telemundo, the viewing series will bring the world’s biggest sporting event directly to neighborhoods across the city, transforming everyday public spaces into gathering places where New Yorkers can experience the excitement of the World Cup together.

 

“New York is a city of sidewalks as much as it is stadiums, and this summer the World Cup belongs to both,” said Mayor Mamdani. “You shouldn’t need a ticket to MetLife to feel connected to the world’s game. Whether you’re heading home from work, meeting friends or just walking to the bodega, you’ll have a chance to stop, watch and share in a moment that brings incredible soccer moments directly to you.”

 

“This is a massive community partnership. It expands Telemundo public viewing access for World Cup matches into every borough of our city. We were thrilled to work with LinkNYC, Telemundo Network and the City to bring this once-in-a-lifetime moment directly to the viewers and the neighborhoods we serve,” said Eric Lerner, President and General Manager of Telemundo 47 and NBC 4 New York.

 

“The FIFA World Cup is more than a sporting event — it’s a cultural moment that brings people together across communities, generations, and backgrounds,” said Claudia Chagui, Executive Vice President, Marketing, NBCUniversal Telemundo Enterprises. “As the exclusive Spanish-language home of the tournament, we’re excited to partner with the City of New York and LinkNYC to bring the World Cup directly into neighborhoods across the city and create new ways for fans to connect with the matches and each other.”

 

The public viewing series will feature five marquee matches spanning the group stage through the tournament final:  

  •   Friday, June 19, 3 p.m. – United States vs. Australia  
  •   Friday, June 26, 3 p.m. – Norway vs. France  
  •   Friday, July 3, 2 p.m. – Round of 32 Match  
  •   Friday, July 10, 3 p.m. – Quarterfinal Match  
  •   Sunday, July 19, 3 p.m. – FIFA World Cup Final  

  

As part of the activation, 20 LinkNYC kiosks across the five boroughs will feature official City World Cup branding, joining ferries, sanitation vehicles, subway cars and other public assets celebrating New York City’s role as a host city.

 

NYC PUBLIC ADVOCATE'S STATEMENT IN COMMEMORATION OF JUNETEENTH

 

“For me, and I’m sure for many, there is an inherent tension in Juneteenth celebrations. We should rightly celebrate the freedom won and the people who fought for it, the progress made and victories secured. And at the same time, we have to acknowledge not only injustices still uncorrected, but the ways that those in power are seeking to undo the progress of decades.   
 
“The powerful have mounted an all-out effort to erase the history and strip away the rights of Black Americans. From ignoring this very holiday to the dismantling of the Voting Rights Act and racist gerrymandering, this White House and its allies pretend – wish – that Black America did not exist.  
 
“In that context, our celebration today is an act of defiance and statement of purpose. 
 
“Enslaved people in Texas did not learn of their freedom until two years after it had been declared. Black Americans today are still waiting for true liberation, that which tears down systems of injustice propped up by the powerful. 
 
“A country founded on freedom failed to truly deliver it to all Americans – not only through 1865, but throughout its history. As we mark one holiday based on the idea of freedom, and approach another, I’m led to paraphrase Frederick Douglass’ enduring question: